The Moment
If you thought we’d hit peak shameless, the internet said, “Hold my bottle service.” Over the weekend, far-right streamer Nick Fuentes, influencer Andrew Tate, creator Sneako and a pack of like-minded “manosphere” agitators filmed themselves partying to Kanye West’s banned track “Heil Hitler” on their way into a Miami nightclub.
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According to a January 18, 2026 report from TMZ, video posted by the group shows Nazi salutes and what can only be described as extremely proud hate cosplay mixed with awkward head bobbing. The song, which has been widely condemned for its antisemitic content, was reportedly blasted on a party bus and then played again inside Miami hotspot Vendome after the crew got the DJ to spin it.
Once the clips started circulating online, backlash came fast. A tweet that was screenshotted in coverage summarized the scene: the club plays “HH by Ye while Nick Fuentes, Tate, Sneako, Clavicular, and Myron sing and throw salutes.” The tweet ended with a chilling little line: “The culture is changing.”
7 Queens👑 👑 👑 👑 👑 👑 👑
*Andrew Tate
*Nick Fuentes
*Sneako
*Tristan Tate
*Clavicular
*Myron
*Justin Waller
arrive at the club playing Ye’s banned song pic.twitter.com/hnMOaseipa— Norma Kay (@realnorma_kay) January 19, 2026
Vendome clearly felt the heat. In a statement posted on Instagram and quoted in the same report, the club called the video “deeply offensive and unacceptable” and insisted they “do not condone antisemitism, hate speech, or prejudice of any kind.” They say they’re now doing an internal review to figure out how that specific request ever made it into a bottle parade soundtrack and promise “immediate action” against whoever allowed it.
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The Take
I’m just going to say it: there is no version of “Heil Hitler” in a nightclub that is not a five-alarm fire.
This isn’t some “oops, the lyrics were problematic and we didn’t notice” moment. You have a song literally titled after a Nazi salute, reportedly being blasted while a group of notorious online provocateurs throw that same salute on camera. That’s not a misunderstanding; that’s a performance.
And that’s the part that sticks with me. This is hate packaged as content, wrapped in the usual “just trolling” shrug. It’s not about music taste; it’s about spectacle. They’re not sneaking around. They’re filming, posting, and counting on the outrage to fuel their brand. It’s like watching people play with matches in a dry forest, then monetize the wildfire.
The club, meanwhile, is doing the now-standard corporate sprint: shock, statement, values, internal review. I don’t doubt some people there are genuinely horrified. But we’re long past the era where you can book or admit this tier of “professional agitator” and be shocked when they do exactly what made them famous.
Think about it like this: inviting Nick Fuentes and Andrew Tate into your club and then being stunned by Nazi salutes is like inviting a raccoon into your kitchen and being startled it went for the trash. The behavior is the brand.
For Jewish guests, for staff, for anyone with a family history touched by the Holocaust, this isn’t just “edgy” or “dark humor.” It’s threatening. It’s dehumanizing. And it’s happening in a context where antisemitic incidents have been climbing in the U.S. for years. The line between “online provocation” and real-world harm is not theoretical anymore.
Receipts
Confirmed
- Nick Fuentes, Andrew Tate, Sneako and others posted video of themselves partying to Kanye West’s song titled “Heil Hitler” while on a party bus and at Miami club Vendome, as reported by TMZ on January 18, 2026.
- The video reportedly shows Nazi-style salutes and the group singing along to the track.
- Vendome Miami issued a statement on Instagram calling the imagery “deeply offensive and unacceptable” and saying the venue and its hospitality group do not condone antisemitism, hate speech, or prejudice.
- The club says it has launched an internal review into how the requested song was approved during a bottle parade and promised “immediate action” against responsible parties.
- A tweet circulating online, quoted in coverage, describes the scene and names Fuentes, Tate, Sneako and others as participating while the song played and salutes were thrown.
Unverified or Contextual
- We do not yet have public details on which individual requested the song from the DJ or who on staff approved it; the club says that’s part of its internal review.
- Any claims about the club’s long-term policies or future bookings are speculative until they issue further statements.
Backstory (For Casual Readers)
If some of these names sound familiar but fuzzy, here’s the quick refresher. Andrew Tate is a former kickboxer turned social media personality who’s built a following with hyper-masculine, often misogynistic takes; he has faced human trafficking and rape charges in Romania, which he denies. Nick Fuentes is a far-right streamer widely described as a white nationalist, known for extremist, often antisemitic rhetoric. Sneako is a content creator who’s become part of the same online ecosystem, promoting similar “manosphere” themes.
Then there’s Kanye West, now legally known as Ye. Once one of the most critically acclaimed and commercially successful artists on the planet, he’s spent the past few years torpedoing his own legacy with a series of antisemitic statements in interviews and on social media. Those comments cost him major partnerships, including a hugely lucrative Adidas deal, and pushed much of the industry to distance itself.
The track in question, “Heil Hitler,” has been described in coverage as a banned song loaded with antisemitic references. It’s not on mainstream streaming platforms, but it has circulated enough in certain online circles that this group clearly knew it and requested it. That’s the backdrop: controversial men whose brands already flirt with hate, choosing this song, this gesture, and broadcasting it for clicks.
What’s Next
Vendome says its internal review is underway, so the next shoe to drop will likely be whatever “immediate action” looks like. That could mean disciplining or firing staff, revising DJ policies, or putting stricter rules in place about guest requests and artist access. If they’re smart, it will also mean visible steps to rebuild trust with Jewish patrons and the wider community.
For the Fuentes/Tate/Sneako crowd, the pattern is familiar: outrage, attention, more followers, more bookings from people who either agree with them or just want the chaos. The question is whether venues, brands, and platforms keep pretending they’re shocked or finally admit they know exactly what they’re buying when they open the door.
The rest of us? We get to decide when we stop calling this “controversy” and start calling it what it is: normalization of open antisemitism, dressed up as a night out. That’s not censorship, it’s standards.
So I’m curious: when a club lets something like this happen, what do you think real accountability should look like-boycotts, firings, bans, or something else entirely?
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